Note: We received this book from the publisher in exchange for an honest review.
Let’s get this out of the way first: if you LOVED Anna and the French Kiss, particularly the international Parisian boarding school and Etienne as the irresistible, popular love interest, you’ll LOVE Lola Offline. It has both of these things, though Etienne comes in the form of Tariq. Same guy, without the whole cheating-on-his-girlfriend thing. So, in the end, a better and more racially diverse alternative. (Perfect!)
Lola Offline is about a girl that wants to escape her identity. Delilah moves to Paris and changes her name to run away from a social media scandal, where she posted something completely inappropriate without stressing the fact she was being ironic. When the Internet gets mad, there’s no going back. Lola hopes that the boarding school and new group of friends will never find out what she did.
Like that was going to happen. Her Twitter footprint is online forever, whether or not see is and you get a scene very reminiscent of Janice and Kady’s in Mean Girls when Lola’s identity and globally recognised mistake is unearthed by Vee, the girl who’s extremely mad at the world.
My favourite character was, without a doubt, Fletcher. She so could have easily been the Regina George of the school: blonde, pretty, popular. But Vee seems to think that about her, getting very antsy when Lola suggests being her friend when Fletcher has done nothing wrong. She’s the sweetest girl ever, and I really appreciated that her character defied the stereotype that would have been dumped on her if this was, say, a teen movie.
Tariq and Lola’s relationship was a slow burn, but not because he had a girlfriend, but because for most of the second half, Lola thinks he’s gay. That would be fine, besides the fact that she bases this opinion on the fact that he got over his girlfriend quickly, has a good sense of style and ‘baked brownies’. Brownies?? Since when have delicious baked goods been a sexuality signifier? It was so ridiculous, I couldn’t help but laugh.
Another great thing, though, was how clued in the book was to social media and the consequences. Sometimes it could read a little like a high school assembly about the dangers of putting yourself online, but the comments it did make about permanence and how everything you say affects your future were poignant, nonetheless.
Overall, Lola Offline struggled for me to make it’s own splash, as I could constantly think of things that may have been inspirations, or where I’d seen similar plot threads before. BUT, the things it did mimic in some way are sure to appeal to fans of those things, and I’m sure someone that’s just looking for a cute, social-media orientated romance will really like this book.